Day 15 Halfway through, we celebrated with a cake that tasted of canned frosting and victory. We congratulated ourselves on surviving our youth and on not completely wrecking each other.
Day 20 An old letter arrived for her: an apology wrapped in months of delay. She read it and balled it
Day 9 We argued about money. It started small — rent, then groceries, then the old wound of who paid for what when we were kids. The fight ended in silence. We walked the block separately and met again at the corner like two satellites in the same orbit.
Day 14 We found an old cassette tape in a drawer and spent the evening decoding teenage mixtapes. We learned whose handwriting on the liner notes belonged to whom, and why certain songs made us both ache.
Day 1 I arrived with two suitcases and a half-broken plant. She opened the door in sweatpants and a T‑shirt I’d worn to prom once. We made coffee, swapped awkward small talk, and fell into the same comfortable silence we’d always had when words were unnecessary.
Day 19 She taught me to budget. I taught her to dream out loud. Our roles shifted like seasons; sometimes I held the map, sometimes she did.
Day 7 An old friend dropped by and upended the evening with stories of college lights and broken romances. We compared exes like trading cards and realized we’d both outgrown the people we’d once wanted to save.
Day 3 We rummaged through the attic. Dust motes danced. Photographs spilled across the floor — birthday cakes, school plays, one awful haircut we both still blamed on Mom. We tried on each other’s clothes and traded stories with exaggerated accents.
Day 15 Halfway through, we celebrated with a cake that tasted of canned frosting and victory. We congratulated ourselves on surviving our youth and on not completely wrecking each other.
Day 20 An old letter arrived for her: an apology wrapped in months of delay. She read it and balled it
Day 9 We argued about money. It started small — rent, then groceries, then the old wound of who paid for what when we were kids. The fight ended in silence. We walked the block separately and met again at the corner like two satellites in the same orbit.
Day 14 We found an old cassette tape in a drawer and spent the evening decoding teenage mixtapes. We learned whose handwriting on the liner notes belonged to whom, and why certain songs made us both ache.
Day 1 I arrived with two suitcases and a half-broken plant. She opened the door in sweatpants and a T‑shirt I’d worn to prom once. We made coffee, swapped awkward small talk, and fell into the same comfortable silence we’d always had when words were unnecessary.
Day 19 She taught me to budget. I taught her to dream out loud. Our roles shifted like seasons; sometimes I held the map, sometimes she did.
Day 7 An old friend dropped by and upended the evening with stories of college lights and broken romances. We compared exes like trading cards and realized we’d both outgrown the people we’d once wanted to save.
Day 3 We rummaged through the attic. Dust motes danced. Photographs spilled across the floor — birthday cakes, school plays, one awful haircut we both still blamed on Mom. We tried on each other’s clothes and traded stories with exaggerated accents.
It is quite different. The All Films 5 is not a replacement for All Films 4, it's just a new tool based on the new underlaying principles and featuring a range of updated and refined film looks. Among its distinctive features are:
– New film looks (best film stocks, new flavours)
– Fully profile-based design
– 4 different strengths for each look
– Dedicated styles for Nikon & Sony and Fujifilm cameras
Yes. As long as your camera model is supported by your version of Capture One.
Yes. But you'll need to manually set your Fujifilm RAW curve to "Film Standard" prior to applying a style. Otherwise the style will take no effect.
It works very well for jpegs. The product includes dedicated styles profiled for jpeg/tiff images.
This product delivers some of the most beautiful and sophisticated film looks out there. However it has its limitations too:
1. You can't apply All Films 5 styles to Capture One layers. Because the product is based on ICC profiles, and Capture One does not allow applying ICC profiles to layers.
2. Unlike the Lightroom version, this product won't smartly prevent your highlights from clipping. So you have to take care of your highlights yourself, ideally by getting things right in camera.
3. When working with Fujifilm RAW, you'll need to set your curve to Film Standard prior to applying these styles. Otherwise the styles may take no effect.
1. Adobe Lightroom and Capture One versions of our products are sold separately in order to sustain our work. The exact product features may vary between the Adobe and Capture One versions, please check the product pages for full details. Some minor variation in the visual output between the two may occur, that's due to fundamental differences between the Adobe and Phase One rendering engines.
–
2. Film look generations are basically major revisions of our entire film library. Sometimes we have to rebuild our whole library of digital tools from the ground to address new technological opportunities or simply make it much better.